Like an Hieronymus Bosch masterpiece, the images here can never be unseen.—Phil de Semlyen, Writer-director Michael Mann’s heist masterpiece put two of our greatest actors, Robert De Niro and Al Pacino, together onscreen for the first time—one as a stoic master criminal, the other as the obsessive cop determined to bring him down. Title: As one of the great directors of Hollywood’s golden age, Billy Wilder excelled across a variety of cinematic types, but this hard-boiled gem is his most influential work.—Abbey Bender, The first in a five-film autobiographical series, Francois Truffaut’s The 400 Blows is the story of Antoine Doinel (Jean-Pierre Léaud)—stuck in an unhappy home life but finding solace in goofing off, smoking and hanging with his friends—and it’s cinema’s greatest evocation of a troubled childhood. Add the first question. Scorsese describes it as “the movie that plays in my heart.” We’ll take two seats at the back.—Phil de Semlyen, A sexy Freudian mind-bender that’s often considered Alfred Hitchcock’s finest triumph, Vertigo is pitched in a world of existential obsession and cunning doubles. Were it not for them, 2001 might have faded into obscurity, but it’s hard to imagine it would have stayed there. Many films emerge from Sundance with a deafening buzz; how do you explain a $250 million global box-office gross? Everyone has their favorites – that’s why any debate over what makes the best movies of all time can take hours (or, in our cases, a lifetime). Christopher Guest, Michael McKean and Harry Shearer are comic royalty, and we can only genuflect in their presence; shortly after this film, Guest kicked off his own directorial brand of humor, directly inspired by Rob Reiner’s heavy-metal satire.—Phil de Semlyen, If only Hollywood made ’em like they used to: crackling romantic comedies that conquered the Oscars. Many have tried to imitate the film’s uncanny vibe, but these rain-slicked streets and seedy vistas possess a singular menace.—Abbey Bender, The creative fecundity of Rainer Werner Fassbinder, dead from an overdose at age 37 after completing more than 40 features, deserves enshrinement by a new generation. Thanks for subscribing! Often regarded as the funniest of the Marx Brothers’ oeuvre, the film is also—sadly—timeless, as its portrayal of a war-mongering dictatorship remains relevant to this day.—Anna Smith, An unlikely pick? The Discreet Charm of the Bourgeoisie (1972), Check out the best movies of all time as chosen by actors. All the Best: Fun Begins You must be a registered user to use the IMDb rating plugin. Most Anticipated New Indian Movies and Shows. Clarke was actually living in Ceylon (not in India, or a tree), but the pair met, hit it off, and forged a story of technological progress and disaster (hello, HAL) that’s steeped in humanity, in all its brilliance, weakness, courage and mad ambition. German Expressionist director F.W. This is not merely a niche film, but a window onto a universal condition, depicted in a concentrated structuralist style. Every month he gets an allowance of Rs. It’s the most wonderful time of the year — to stream. If you love words, you’ll love this movie.—Joshua Rothkopf, You could stick nearly every Powell and Pressburger film on this list; such was the dynamic duo’s stellar output. Veer's life undergoes many hilarious changes after he decides to borrow money from a gangster called Tobu in order to bet on his friend, Prem, taking part in a car race. Frank Capra’s hilarious hate-at-first-sight love story is still one of the fastest movies ever made. Still, Boyhood’s astonishing compactness catches you off guard like no other movie. Wayne’s bitterly wayward ex–Confederate soldier heads a five-year hunt for niece Debbie, captured at age nine by the Comanche. RT News. The director shows restraint with setting and scope; the film focuses largely on the back-and-forth between Joan and her inquisitors. Top 100 Movies of All Time. The movie has lost none of its relevance or power; if anything, it’s gained some. The only shortcoming is that the lead actors especially Sanjay Dutt and Ajay Devgan seem to be over-aged for the characters and perhaps younger generation would have been ideal fit (viz. We only hope that audience members instinctively knew not to give away cinema’s first ever twist ending and ruin the sting of this fractured horror-fable for their pals. Made at the close of the silent era, it set new standards in screen acting.—Bilge Ebiri, The ultimate cult film, Leone’s spaghetti Western is set in a civilizing America—though mostly shot in Rome and Spain—but the real location is an abstract frontier of old versus new, of larger-than-life heroes fading into memory. … There’s the famously real-looking Julie Christie–Donald Sutherland sex scene (they didn’t do it, honest), the shocking ending and the eerie way the film did for Venice what The Shining did for ski resorts. There is so much to love in Fassbinder’s shag-carpeted showdown, which goes beyond the spectacle of two dueling fashionistas into a profound exploration of aging and obsolescence.—Joshua Rothkopf, Few film movements can boast the hit rate of Italian neorealism, a post-WWII wave dedicated to working-class struggle that seems to comprise only masterpieces. It’s pulp fiction, but alchemically profound.—Stephen Garrett, So much of Stanley Kubrick’s genius was conceptual, and this one asks his most audacious question: What if the world came to an end—and it was hilarious? Make no apologies for your tears; everyone else will be crying, too.—Joshua Rothkopf, Mournful, challenging and mesmerizing, Soviet director Andrei Tarkovsky’s epic portrait of the life and times of one of Russia’s most famous medieval icon painters foregrounds qualities such as landscape and mood over story and character. But the intense close-ups give free reign to Maria Falconetti’s marvelously expressive turn as the doomed Maid of Orleans. Marvel movie binge: Best order to watch all … Toshiro Mifune is superb as the half-crazed self-styled samurai, but it’s Takashi Shimura’s Yoda-like leader who gives the film its emotional center. Most wonderfully, this comedy best celebrates the rule of wit: He—or, more often, she—with the sharpest tongue wins. En route, there’s surfing, a thrilling helicopter raid, napalm smelling, tigers and Playboy bunnies, until Sheen steps off the boat and into a different zone of madness—or is it genius? It’s hard to think of one better than this tower-block spectacular—nor one more imitated. Flashbacks have never been so thrillingly deployed; nearly 70 years after its release, filmmakers are still trying to catch up to its achievements.—Abbey Bender, Jean Renoir cemented his virtuosity with this pitch-perfect study of social-strata eruptions among the ditzy, idle rich, about to be blown sideways by WWII. Alongside its historical truths, the film’s grammar and visual language—there are passages that play like an ultra-violent acid trip—are what truly elevates it. The best shows and movies added to Hulu in January include a modern Western that nabbed plenty of Oscar nominations, a beloved sports romance, and a classic fantasy adventure. One of the most romantic films ever made about the pains and purity of first love, the immaculately styled The Umbrellas of Cherbourg challenged the lighter Hollywood musicals of the era (like The Sound of Music and My Fair Lady) and launched the sensational Catherine Deneuve into international stardom. Delicately played, beautifully shot (often with the camera hovering just off the ground), Ozu’s masterpiece is the family movie given grandeur and intimacy. Of course, it’s a work of profound philosophical thought, too, so you’ll feel brainier for having seen it.—Phil de Semlyen, Worlds collide in Sofia Coppola's pitch-perfect tale of a movie star (Bill Murray) and a newlywed (Scarlett Johansson) in Tokyo. Onscreen comedy, in turn, was modernized for what would be its most transforming decade. Watch trailers, view photos and detailed information about the 92nd Academy Awards winners. I would be seriously looking forward to Mr. Shetty work on serious genre and contribute to the progress of Indian Cinema. Still, City Lights was something else. It’s a triumph of buried political commentary and purest epic cinema. Jules’s Ezekiel 25:17 monologue? Was this review helpful to you? © 2021 Time Out America LLC and affiliated companies owned by Time Out Group Plc. Anyone who watched In The Mood for Love when it was released in 2000 may have said yes. "All the Best" is a total time-pass comedy which is executed fairly well. But the film’s ice-cold paranoia, uncut and pharma-grade, has been its most lasting legacy: a template of perfection for all since.—Joshua Rothkopf, Writer-director Julie Dash should have become an Ava DuVernay–level success after her poetic feature debut, an achievement of otherworldly beauty. These are the best movies of all time, ranked by movie experts and film fans alike. Jaws may have set the reputation of those gray-finned creatures back a few centuries, but it took the popular movie thriller to another level, demonstrating that B-movie material could be executed with masterly skill. The Dark Knight is one of those rare examples of how a sequel can actually be a worthwhile film on its own. But there once was a moment when he needed to get serious, and this is it.—Joshua Rothkopf, Forget The Artist—sorry Uggie—and relish instead the sheer, serotonin-enhancing verve of MGM’s glorious epitaph to cinema’s silent era. All The Best: Fun Begins is a 2009 Indian Hindi-language comedy film directed by Rohit Shetty, and starring Ajay Devgn, Sanjay Dutt, Fardeen Khan, Bipasha Basu, Johny Lever, Sanjay Mishra and Mugdha Godse. Wong Kar-wai guides us through the narrow streets and stairs of ’60s Hong Kong and into the lives of two neighbors (Maggie Cheung and Tony Leung) who discover their spouses are having an affair. A landmark of independent black cinema, it’s set to a great soundtrack ranging from blues and classical to Paul Robeson. Boy loses train. The Bengali great follows young Apu (Apurba Kumar Roy) from boyhood to adult life via schooling and a move from his remote village to the big city, as well as loves and losses. Bergman, recovering from a serious bout of pneumonia, wrote the script in the hospital, grappling with a crisis of purpose that he turned into art of the highest caliber.—Joshua Rothkopf, Spike Lee’s bitterly funny, ultimately tragic fresco of a Brooklyn neighborhood during one sweltering summer day was hugely controversial at the time: Critics dinged Lee for his depiction of an uprising in the wake of a police killing. Renoir captures his sparklingly astute ensemble cast with fluid, deep-focus camera movements, innovations that inspired directors from Orson Welles to Robert Altman.—Stephen Garrett, Rightly considered one of the most focused and suspenseful movies ever made, Steven Spielberg’s tale of a shark terrorizing a beach town remains effective more than four decades later. Its confusion galore everywhere. Credit a revolutionary internet campaign, spooky and immersive, that’s now a tactic in every publicist’s playbook. Happily, Alfred Hitchcock’s thriller broke new ground in other ways, too, from offing its heroine within the first third to diving deeper into a crazed mind (bravo, Anthony Perkins) than Hollywood had yet managed before. The movies on this list are ranked according to their success (awards & nominations), their popularity, and their true greatness from a directing/writing standpoint. It reimagined the Western genre and became a part of the zeitgeist.—Tomris Laffly, Biting political satires don't have to be long and complicated: This 68-minute masterpiece is perfectly pithy, exposing the absurdities of international politics with swift wit and spot-on slapstick. Kubrick’s frighteningly clinical vision of the future—AI and all—still feels prophetic, more than 50 years on.—Phil de Semlyen, From the wise guys of Goodfellas to The Sopranos, all crime dynasties that came after The Godfather are descendants of the Corleones: Francis Ford Coppola’s magnum opus is the ultimate patriarch of the Mafia genre. Best of Rotten Tomatoes. As Phantom Thread makes clear, Anderson hasn’t lost his sense of humor, not by a long shot. This one is a nonstop barrage of chases, each more spectacularly elaborate and nightmarish than the last—but it’s all combined with Miller’s surreal, poetic sensibility, which sends it into the realm of art.—Bilge Ebiri, Francis Ford Coppola’s evergreen Vietnam War classic proves war is swell, as assassin Martin Sheen heads upriver to kill renegade colonel Marlon Brando. This list is just wack. This is cinema.—Anna Smith, On the road to becoming the most significant filmmaker of the last 20 years, Paul Thomas Anderson transformed from a Scorsesian chronicler of debauched L.A. life into a hard-nosed investigator of the American confidence man. Murnau’s haunting images of a crepuscular world set the chilling standard for generations of cinematic nightmares.—Stephen Garrett, With about 6,500 zingers to choose from, everyone has their favorite Airplane! Still, it’s shocking to remember that The Shining—so redolent of the director’s pet themes of mazelike obsession and the banality of evil—was once considered a minor work. Of Buñuel’s many seismic features (don’t skip his slicin’-up-eyeballs short, “Un Chien Andalou”), begin with this radical satire of class warfare, which sums up everything he did well. Even if we can’t roll with the crackpot fan theories about how Kubrick allegedly faked the Apollo moon landing, we’ll readily admit that this film contains cosmic multitudes.—Joshua Rothkopf, The one that got Pixar’s (Luxo) ball rolling and still an absolute high-water mark for CG animation, Toy Story reinvented what a family movie could be. After Tobu applies pressure, Veer desperately rents the bungalow to a Zee Super Lottery Winner, Raghuvandas Goverdhandas Vakawale - but even more chaos and complications arise with the unexpected arrival of Dharam. View All. 25 best Christmas movies of all time (and where to watch them) Share this article 235 shares share tweet text email link Nate Scott. Directed by Rohit Shetty. It was also monumentally subversive, sneaking in a clutch of racy moments under the nose of Hollywood’s moralistic Hays Code and all but neutering it in the process. Not forgetting co-director Stanley Donen, who was always happy to let his stars take the credit but deserves an equal share for a musical that never puts a foot wrong.–Phil de Semlyen, Has this one taken its place as Martin Scorsese’s peak achievement yet? The 1970s were U.S. cinema’s most exciting period, and Nashville—broadened by its admirable scope and freewheeling energy—is emblematic of that creativity.—Abbey Bender, Nicolas Roeg lays claim to being one of the most influential British directors to have ever picked up a viewfinder, and this elliptical take on a Daphne du Maurier yarn is the main reason for it. By Allison Picurro Dec 17, 2020 1:30 PM EST. If you loved last year’s Shoplifters, you’ll love this.—Ian Freer, What’s the best part of Pulp Fiction? Veer's life undergoes many hilarious changes after he decides to borrow money from a gangster called Tobu in order to bet on his friend, Prem, taking part in a car race. The corruption-soaked story follows a powerful immigrant family grappling with the paradoxical values of reign and religion; those moral contradictions are crystallized in a legendary baptism sequence, superbly edited in parallel to the murdering of four rivaling dons. Nuclear annihilation was a subject in which Kubrick immersed himself, reading virtually every unclassified text. But Battleship Potemkin is full of powerful images and heady ideas, and director Sergei Eisenstein is rightly considered one of the pioneers of early film language, with his influence felt through the decades.—Dave Calhoun, The only Charlie Chaplin movie to see the Little Tramp go on a massive cocaine binge, this relentlessly inventive silent classic hardly needs the added kick. Later, it would be a major influence on La La Land.—Tomris Laffly, Director Roman Polanski and screenwriter Robert Towne took a modestly sleazy noir setup and turned it into a meditation on the horrors of American history and rapacious capitalism. Burman in Khiladi 786, Bollywood’s original ‘Khiladi’ Akshay Kumar returns to fighting form in festive film ‘Khiladi 786′, No 'Golmaal' for now: Rohit Shetty - Realbollywood.com News, Raghuvandas 'Raghu' 'RGV' Goverdhandas Vakawale. And let’s not forget the movie itself, which kicked off the “found-footage” trend. Get personalized recommendations, and learn where to watch across hundreds of streaming providers. 1 Lakh from his NRI brother, Dharam, which he uses to fund his band, as well as the dilapidated Gym of his friends, Prem and Jhanvi Chopra. This one truly has it all: flashbacks, murder, shadows and cigarettes galore, and, of course, a devious femme fatale (Barbara Stanwyck). 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